When did you first start painting?
I started painting in childhood, then studied at Leeds College of Art and Design and then specialized in floral art at Stockport Collage of Art.
As a full time artist how do you manage your time?
As my family is now grown, I have more time to concentrate on my art. And spend much of my time at Jacksons Yard Studios, which I share with 8 other artist.
Did you always know you would become an artist?
I knew at an early age that I wanted to work in the creative field, and art is where I excelled. So, I followed my interest and studied at art collage to gain more skill and the opportunity to express my creativity.
Your paintings are mainly based on Poppies, what is the reason behind this?
I have always loved to paint flowers. Wild flowers in particular, which for me represent freedom and the joys of spring and summer. Poppies for me are the essence of this, full of meaning.
How do you gather your ideas and inspirations? Memories? Photos? Or do you work on location?
My ideas and inspirations come from walks in the country side in and around Yorkshire. It is not just the views which I find inspiring, but also the scents and sounds of the whole landscape. It’s my memories of the landscapes and feelings stirred in me which are my main inspiration. I then try to capture full the essence of the landscape to canvas.
Are you influenced by any of the great masters?
I love the work of the Pre-Raphaelites particularly Millais and Waterhouse. Their attention to details and intense colours I find particularly beautiful. Klimt is also a favourite of mine – his intense use of pattern and flowing forms are exquisite.
You offer a lot of ‘made to order’ artwork so customers can ask for specific requirements; can this be very challenging at times?
Initially when I first started to reproduce pieces it could be quite challenging, having to recreate the exact colours and effects used. But I’m experience at doing this now, and find it a great opportunity to improve on the original piece, and this is very rewarding. I also find it a great compliment that a customer is choosing such a piece, often to their own specification, and I always endeavour excel their expectations.
What is the best thing about being a full time artist? And what is the worst?
The freedom to work at my own pace, doing something I really enjoy – being creative. And then for my work to be appreciate and enjoyed by others is a pleasure, and extremely rewarding. For me, there are no negatives about being a full time artist – it is a joy.
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